div另一面绘桑葚纹,主干只以青花勾绘,叶片以青花为廓内填绿彩,个别叶片辅绘黄彩,以凸显夏秋之交的季节特征。三颗成熟的桑葚,以釉下青花和釉上矾红分别衬托点染,把桑葚成熟的状态表现得淋漓尽致。
土坡、草丛仅以青花勾画,略写其意。本品以简练的笔法 、巧妙的布局,提炼了题材中最核心 、最具美感的部分,表现其中的意趣。
杯子外壁的两组纹饰,有主有次,主纹饰是满架葡萄,间饰竹子,次纹饰是果实藤架,隙地加饰浅草坡石,使画面呈现出一种清新飘逸、气韵灵动的感觉。底足青花双方框内书“大明成化年制”双行六字款。
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"底部大明成化年款
div明成化,斗彩葡萄纹杯!
"1
"明成化 斗彩葡萄纹杯
div杯子口微撇,斜弧腹,圈足,口沿和底足分饰青花弦纹,主题以斗彩为饰,一面绘翠竹葡萄,翠竹枝干仅以青花描画,竹叶以青花勾出轮廓,釉上填以绿彩,尽显翠竹的生机盎然。
葡萄主藤也仅以青花勾勒,叶片在釉下青花轮廓内填绘黄绿两色,藤蔓覆以黄彩,画面视觉中心为两串颗粒饱满,让人垂涎欲滴的葡萄,其中以成化朝特有的“葡萄紫”彩釉表现已经成熟的颗粒,以矾红彩填绘未熟籽粒,形象逼真地再现了葡萄成熟时期的自然状貌。
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"桑葚纹
div另一面绘桑葚纹,主干只以青花勾绘,叶片以青花为廓内填绿彩,个别叶片辅绘黄彩,以凸显夏秋之交的季节特征。三颗成熟的桑葚,以釉下青花和釉上矾红分别衬托点染,把桑葚成熟的状态表现得淋漓尽致。
土坡、草丛仅以青花勾画,略写其意。本品以简练的笔法 、巧妙的布局,提炼了题材中最核心 、最具美感的部分,表现其中的意趣。
杯子外壁的两组纹饰,有主有次,主纹饰是满架葡萄,间饰竹子,次纹饰是果实藤架,隙地加饰浅草坡石,使画面呈现出一种清新飘逸、气韵灵动的感觉。底足青花双方框内书“大明成化年制”双行六字款。
div data-faye=
"iage
" source=
"er
" css=
"icture
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"3
"ig src=
"{{iage_doa}}{
"iage_tye
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"width
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":333}
" alt=
"
"
css=
"ictureDesc
" grou-id=
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"底部大明成化年款
div明成化,斗彩葡萄纹杯!
"1
"明成化 斗彩葡萄纹杯
div杯子口微撇,斜弧腹,圈足,口沿和底足分饰青花弦纹,主题以斗彩为饰,一面绘翠竹葡萄,翠竹枝干仅以青花描画,竹叶以青花勾出轮廓,釉上填以绿彩,尽显翠竹的生机盎然。
葡萄主藤也仅以青花勾勒,叶片在釉下青花轮廓内填绘黄绿两色,藤蔓覆以黄彩,画面视觉中心为两串颗粒饱满,让人垂涎欲滴的葡萄,其中以成化朝特有的“葡萄紫”彩釉表现已经成熟的颗粒,以矾红彩填绘未熟籽粒,形象逼真地再现了葡萄成熟时期的自然状貌。
div data-faye=
"iage
" source=
"er
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"icture
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"ig src=
"{{iage_doa}}{
"iage_tye
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" alt=
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css=
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"桑葚纹
div另一面绘桑葚纹,主干只以青花勾绘,叶片以青花为廓内填绿彩,个别叶片辅绘黄彩,以凸显夏秋之交的季节特征。三颗成熟的桑葚,以釉下青花和釉上矾红分别衬托点染,把桑葚成熟的状态表现得淋漓尽致。
土坡、草丛仅以青花勾画,略写其意。本品以简练的笔法 、巧妙的布局,提炼了题材中最核心 、最具美感的部分,表现其中的意趣。
杯子外壁的两组纹饰,有主有次,主纹饰是满架葡萄,间饰竹子,次纹饰是果实藤架,隙地加饰浅草坡石,使画面呈现出一种清新飘逸、气韵灵动的感觉。底足青花双方框内书“大明成化年制”双行六字款。
div data-faye=
"iage
" source=
"er
" css=
"icture
" grou-id=
"3
"ig src=
"{{iage_doa}}{
"iage_tye
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"width
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":333}
" alt=
"
"
css=
"ictureDesc
" grou-id=
"3
"底部大明成化年款
div明成化,斗彩葡萄纹杯!
"1
"明成化 斗彩葡萄纹杯
div杯子口微撇,斜弧腹,圈足,口沿和底足分饰青花弦纹,主题以斗彩为饰,一面绘翠竹葡萄,翠竹枝干仅以青花描画,竹叶以青花勾出轮廓,釉上填以绿彩,尽显翠竹的生机盎然。
葡萄主藤也仅以青花勾勒,叶片在釉下青花轮廓内填绘黄绿两色,藤蔓覆以黄彩,画面视觉中心为两串颗粒饱满,让人垂涎欲滴的葡萄,其中以成化朝特有的“葡萄紫”彩釉表现已经成熟的颗粒,以矾红彩填绘未熟籽粒,形象逼真地再现了葡萄成熟时期的自然状貌。
div data-faye=
"iage
" source=
"er
" css=
"icture
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"2
"ig src=
"{{iage_doa}}{
"iage_tye
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" alt=
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css=
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"桑葚纹
div另一面绘桑葚纹,主干只以青花勾绘,叶片以青花为廓内填绿彩,个别叶片辅绘黄彩,以凸显夏秋之交的季节特征。三颗成熟的桑葚,以釉下青花和釉上矾红分别衬托点染,把桑葚成熟的状态表现得淋漓尽致。
土坡、草丛仅以青花勾画,略写其意。本品以简练的笔法 、巧妙的布局,提炼了题材中最核心 、最具美感的部分,表现其中的意趣。
杯子外壁的两组纹饰,有主有次,主纹饰是满架葡萄,间饰竹子,次纹饰是果实藤架,隙地加饰浅草坡石,使画面呈现出一种清新飘逸、气韵灵动的感觉。底足青花双方框内书“大明成化年制”双行六字款。
div data-faye=
"iage
" source=
"er
" css=
"icture
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"3
"ig src=
"{{iage_doa}}{
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"底部大明成化年款
div明成化,斗彩葡萄纹杯!
"1
"明成化 斗彩葡萄纹杯
div杯子口微撇,斜弧腹,圈足,口沿和底足分饰青花弦纹,主题以斗彩为饰,一面绘翠竹葡萄,翠竹枝干仅以青花描画,竹叶以青花勾出轮廓,釉上填以绿彩,尽显翠竹的生机盎然。
葡萄主藤也仅以青花勾勒,叶片在釉下青花轮廓内填绘黄绿两色,藤蔓覆以黄彩,画面视觉中心为两串颗粒饱满,让人垂涎欲滴的葡萄,其中以成化朝特有的“葡萄紫”彩釉表现已经成熟的颗粒,以矾红彩填绘未熟籽粒,形象逼真地再现了葡萄成熟时期的自然状貌。
div data-faye=
"iage
" source=
"er
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"ig src=
"{{iage_doa}}{
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"桑葚纹
div另一面绘桑葚纹,主干只以青花勾绘,叶片以青花为廓内填绿彩,个别叶片辅绘黄彩,以凸显夏秋之交的季节特征。三颗成熟的桑葚,以釉下青花和釉上矾红分别衬托点染,把桑葚成熟的状态表现得淋漓尽致。
土坡、草丛仅以青花勾画,略写其意。本品以简练的笔法 、巧妙的布局,提炼了题材中最核心 、最具美感的部分,表现其中的意趣。
杯子外壁的两组纹饰,有主有次,主纹饰是满架葡萄,间饰竹子,次纹饰是果实藤架,隙地加饰浅草坡石,使画面呈现出一种清新飘逸、气韵灵动的感觉。底足青花双方框内书“大明成化年制”双行六字款。
div data-faye=
"iage
" source=
"er
" css=
"icture
" grou-id=
"3
"ig src=
"{{iage_doa}}{
"iage_tye
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div明成化,斗彩葡萄纹杯!